The big news about the movie is that it represents, believe it or not, the first substantial pairing of father-and-son actors Donald Sutherland and Kiefer Sutherland. The two did appear in a movie before, the largely forgotten 1983 Neil-Simon-penned comedy “Max Dugan Returns.” That was when Kiefer was in his teens. He has since grown up into, among other things, a superb, perhaps even great, actor. Albeit one who has not appeared in a whole lot of great movies. Here he plays John Henry Clayton, a Civil War veteran long away from home. When he makes his way back to his quiet farm town, his father, the Reverend Clayton—played by the elder Sutherland, otherwise what would be the point, right?—communicates several modes of disapproval. In his time away John Henry has made quite a reputation for himself as a gunslinger. Also, his mother has passed away, an event that makes the Reverend Clayton’s disapprobation that much more bitter. “You would have come home if she was dying but you wouldn’t come home when she was living and full of hope," Sutherland’s character says.

“Wait a minute,” you might be thinking right now. “I thought you said this movie actually got better.” Yes, the-above quoted bit of dialogue is pretty damn on-the-nose, and hard, but if anyone can sell such stuff, it’s Donald Sutherland. He does, and the dialogue does improve. Followers of celebrity, who are familiar with some of the troubles Sutherland fils has had to contend with over the course of his life, will find an extra dimension of fascination in the tense father-son dynamic here, but it works just as well even if you haven’t read an issue of People Magazine in the last thirty years or so.

The father-son conflict might make a good picture on its own, but this IS a Western, and the conflict arises relatively early. Seems that John Henry has decided to study war, and gunslingng, no more. He comes home without a sidearm, starts clearing a field, and generally minds his own business. Fate has other plans. A land-grabber, McCurdy (Brian Cox) has hired a very loquacious gunslinger, one Dave Turner (Michael Wincott) to persuade town folk to give up their acreage in the anticipation of a, you guessed it, railroad station. Dave is a gentleman of sorts, but the confederates with whom McCurdy has saddled him with, particularly Frank Tillman (Aaron Poole) are no such beasts. These fellows have heard of Clayton, and worry that he might be trouble. When he assures them that he has no intention of doing so, they try to goad him. Complicating matters is a former love of John Henry’s, Mary-Alice (Demi Moore) and her easily-brought-to-jealousy husband Tom (Wesley Morgan).

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